A Magazine of Many Arts

As you are devoured,
your thoughts and memories are replaced
by a succotash of former victims,
by memories of other meals,
of boat trips you never took,
of hockey games you never saw,
of first love, last love
of betrayal, the doing and receiving of it,
of sights and sounds you’ve never known,
and other memories:
initial penetration of the skull,
the vicarious thrill of consuming another’s
most intimate thoughts and perceptions,
of being at once violator and violated.
But soon the inexorable diminution takes over,
memory after memory, belief after purpose,
the you lost as the not-you expands,
until you are nothing at all,
save images and impressions,
remembered by someone else.

Ohne Titel by Wassily Kandinsky, 1923, watercolor, pen and ink on paper laid down on board

She’d have walked through more walls,
Spent more time at rock concerts
so loud she fluttered in their breeze,
Hesitated less, danced more,
Cared less about her looks,
Butted in where she wasn’t wanted,
Haunted Big Tony within an inch.

But she’d always have told him no,
Especially that last, terrible time;
When she wasn’t yet a ghost.

Image Female Ghost, painting on paper by Kawanabe Kyōsai, Meiji period, Cincinnati Art Museum

Before they encountered us
the Fomalhauts
possessed no concept of self-indulgence
worker bees, folk called them
the proverbial dull boy
never mind the head appendages
or the scales
or how they reproduce through the mail
(they had no spam).

Before we met them
they had no vigilante justice
they found our pornography
appealing, and soon invented
their own, which usually arrived postage due.

We introduced credit cards,
bank loans, compound interest;
they found these novel concepts.
We took them on tours
of our marketplaces
where every price, it appeared,
had been reduced.
Amazing the debt these aliens accrued.

It was direct-mail advertizing
that really did them in–
at first the spots were, well, naïve
but as the ads race intensified
the Fomarketers learned that sex sells.

Fomals sporting overlarge
sense-enhancing gear in black plastic
tore open packages claiming to contain
freeze-dried mail-order brides
(really just powdered food products).

Winsome young Fomies were
tearing open their mail too
receiving proposals of marriage
from princes
wrongfully deposed
handsome
generous.

A few months later – captivated
by artificial insemination
and our hi-tech DNA manipulation,
Fomies were popping larvae all over:
Twins!
Triplets!
By the broodsac!
The boatload!
while the non-brooding fomals
postal donors of GM gametes
(not one of them a prince
or even a duke)
took no responsibility at all.

Most of these unnatural offspring
were grievously flawed–
injured by experimental methods
that would never have been allowed on humans–
although they were available in a variety of colors
and with naturally perfumed excreta

We converted them to our religions
(no matter which, so long
as they selected one or another).
We gave them nihilism, narcissism,
solipsism, existentialism
(not to mention pessimism).
We sold them anti-depressants,
antioxidants, anti-coagulants,
then we upped the anti.

The Fomalhauts have recently been
reclassified as a vanished species,
unfortunately extinct. Their culture
and civilization, so many millennia old,
suddenly defunct. A sad coincidence,
so soon after encountering us.
They will be missed.

Image By http://wellcomeimages.org/indexplus/obf_images/07/c0/a5d1fb011c297b84fc9be592c41f.jpgGallery: http://wellcomeimages.org/indexplus/image/L0040470.html, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=36096354

David Kopaska-Merkel has appeared in Polu Texni many times over the years. He has recently been named a Grand Master by the SFPA. We will run poems by him over the next four weeks.

1) Are you primarily a poet, or do you write in other forms as well?

I am primarily a poet, if you go by number of pieces written (close to 2000). However, I wrote fiction first (I still write some), and in terms of total words written, fiction garners first place. Or it would, except I’ve written more than 100 scientific articles, and two science books (a college textbook and a popular-science book, both with co-authors).

2) Tell us about your other writing projects. What are you working on now?

I am working on collaborative poems with a couple of folks I’ve written with before (Ann K. Schwader, Kendall Evans). And I’m working with several poets on a project I can’t say anything about just now. As for solo writing, I am always writing something. And I try to write at least one short poem a day, just to keep my hand in. I post them on my blog: http://dreamsandnightmaresmagazine.blogspot.com/

Geologically, I’m writing about trace fossils and fossil reefs.

3) Who are your favorite authors? In particular, do you have a favorite who is under appreciated that we should check out?

I have no favorites, cos I like too many, but, Roger Zelazny was a genius. Lord of Light juxtaposed the Hindu pantheon, aliens, and future tech with delicious humor. He was a poet, too. Tim Powers is another genius, and a poet. The Anubis Gates combined time travel with Egyptian gods in an enchanting way (and it’s about a poet!). P. C. Hodgell is, I think, greatly underappreciated. God Stalk is the first of a fantasy series, but it can stand alone. The god-filled world is fascinating, and the young protagonist is both adorable and unexpectedly dangerous. Kim Harrison’s “Hollows” books are paranormal romance, but they are superlative. A similar protagonist, in a way. Hard SF? Jack McDevitt is also underappreciated. Read Chindi, even though it’s part of a series (near-future exploration). You probably meant favorite poets, but I am even less able to answer that question.

4) What are you reading now?

I am rereading Rudy Rucker’s collection The 57^th Franz Kafka. Some of the best SF that was ever written around unfamiliar math and physics concepts. Alternate worlds, the 4^th dimension, what we think we know about time, and so on. 15 more books on my to-read pile, but the topmost is the 2017 Rhysling Anthology.

5) Do you do any other creative work (music, visual arts, etc)?

I have been publishing genre poetry since 1986. I started Dreams and Nightmares because I couldn’t find enough venues for speculative poetry. They existed, but it was hard to find them before the internet. Issue 106 of DN is coming out imminently. Over the years I have bought more than a few “first sales,” which is fun for both parties.

I like drawing, but I’m the only one in my family who utterly lacks talent for it. Even worse at music, though both of my kids are talented there, too.

6) What is your latest big discovery (art, lifestyle, anything really.)

I hoped to raise at least one scientist, but have failed miserably. I am a geologist, and recently discovered a new fossil species. What is it? No one really knows. Many ancient critters have no close living relatives. We know a bit about them, but experts don’t agree whether some fossil species were animal, vegetable, or other. So that’s pretty cool. I have inadvertently specialized in unknown critters, as a matter of fact. The previous project concerned a fat crustacean known only from its burrows.

I was recently named Grand Master of the Science Fiction and Fantasy Poetry Ass’n. I’m still excited about it: I have joined a select group, which includes Ray Bradbury and Jane Yolen.

7) Basic old biographical details? (family, work, why do all writers seem to have two cats, etc?)

Spouse, two grown children (all good artists); 1 dog, two cats (I hate being predictable); live in a 117-year-old house, which once was located out in the countryside. Boards in the closet wall still have bark attached. Have lived in 6 US states plus Canada. I study geology for the people of Alabama.

Old man Wisteria (fortune teller)
saved stones, red sealed envelopes
inside claw-foot bathtub, and bones
from his dinner. He cast them in dirt
then burned to soot, taking the ashes
& marking a line across the apartment
where the demons were supposed to stay.

Old man Wisteria’s wife (a psychic) died
ten years ago. Since then, the neighbourhood
cats claw at his door, worse than a minotaur
in a maze. He waits. Come morning, he empties
the tub full of black letters that fall off the page
(his eyes are bad in his old age, he only sees
the future in a house of bones & knows he doesn’t
have long in his apartment anymore). He stacks
the paper into the cracks of the doors and windows.
He waits, again, for morning.
When the downstairs neighbour (the tea leave reader)
finds the body, months have passed. The old man’s mummified
to his chair, his stones and bones and empty letters
over his skin like a tattoo. Like a riddle for
a fortune he left behind.

The cats still come. A black one with a patch
of white over his eye–his third eye–in the shape of
wisteria is the loudest. The new owners (father & mythic son)
don’t know how to get the claw marks out of the doors
or how to throw away stones that turn up the window sill, tangled
with petals, red thread, and vines leaves, spinning
counter-clockwise out the frames.
The old man waits. And waits (as a spirit-self)
until morning. His future, now, always the same.