November 2021


poem21 Nov 2021 04:10 pm
Saint-John the Baptist by Michaelina Wautier, 17th century

Marge Simon


Histories were told in the dry prairie winds
that swept the sandy dirt from here to there and back.
Lost are those masters, the old aristocrats.
How they doted on the old building, the museum,
like a shrine. The treasure they held in trust
for their lineage into an unknown future,
a monument to their legacy.

Came the spoilers, on their razor-spined mounts,
grinding fleeing bodies into the crushed prairie grass.
They plundered every shrine, 
stealing even the shining amber eyes of the stuffed beasts,
silver shafts and diamond needles
to make more tools of butchery.
When that was done, there were no children left
except the boy, and he was a slave-child.

His mother despaired on a daily basis.
She jumped at every sound
in the ruined house they lived in,
once their master’s stately home, now theirs.
Not that much of dignity remained,
their only mirror was the pond,
their only meat, the fish within it.
When she yelled at him, whether angry
or driven to tears, it only made things worse.
The boy would chase the rats off for her,
flinging stones with more rage
than duty called for.

The boy had his own place where he could
forget, for a long afternoon, the ache
of hunger, the gnaw of fear.
He would run there
every time she wasn’t looking.

In the old museum, vines trailed down
from the gaping tears in the roof.
A shaft of sunlight fell on the last dead beast,
preserved, with its empty-socket gaze, 
her coat stained, rain spotted,
no longer bristling with the sheen of life.
This mighty cat, frozen in motion, was his steed.
For him, she would bend down her graceful head
to whisper those things a boy most needs:

Ride me, ride me past the shadows,
the ghost wars of angry men,
and burning prairie grass.
We’ll go to the far horizon,
where none could know what
the brand on your wrist means.

Free, free, no need to hide
inside these rotting walls –
freed by rite of youth to ride,
your face ablaze with sunlight.

So came a day, he did,
with his crazy mother’s litany of self-pity
echoing in his ears, always too many sharp,
hurting things to bear, shredding hope,
sharing her pain over and over,
he ran away.

Once, he stopped to look back  
upon the broken buildings and fallow land.
A man could heal his mother’s wounds,
a man could rebuild.
But he was just a boy,
so he ran on.
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poem07 Nov 2021 06:49 pm

Adele Gardner


This Halloween the old man picks out coffins.

His parlor looked bare without one: so many years in which

another relative died, and he sat nights

communing with the dead.  So peaceful, it didn't even matter

whether he spoke or watched, but by candlelight

there was plenty of time to get it all off his chest,

apologize to his daughter, his niece, his grandson, for birthdays missed;

chew out his son for running away and leaving the business to crumble;

tell his sweethearts precisely how he loved them.

His wife was hardest--almost as bad as Mom, when he was ten.

They're all gone, now.  He sits alone,

missing the coffins--company.

One last ritual to cling to.

The dead don't speak, exactly, but they fill silences,

pregnant with answers you can almost pluck from the air,

a little overripe with waiting, but pungent, sweet,

an earthy taste like the forbidden fruit

just the other side of the grave.

He misses the tinkle of his granddaughter's laughter, there in the silence,

the eloquent press of dust that traced his name

above her on the mantle, the titter of mice

scampering over her toes and down the legs of the coffin,

brushing him with silken whiskers like her hair

so that he reached out, tried to touch one,

caught just a fingertip taste of one silky, eiderdown cheek--

the same as hers, but soft, as it had been when she grew old,

still warm, not hard as that withered figure in her casket.

So, for one moment, lifted in hope, he believed her:

that she'd still be here to look out for him; that love never dies.

Perhaps it's true.  Now he's the last, and two

hundred years seems too long a span--

though too short to contain all the hours he wanted

to spend with them, all these branches from the same root, each unique,

and for his love too brief, too brief.

He'll order one more coffin now,

drape it in plush black velvet, paint it pumpkin-rich orange,

lie down for a nap on Halloween, the one night when his parlor

is still crowded with chatter

from the coffins long gone by.  Perhaps this time

he'll slip over to the other side--not in his sleep, but setting out to sea,

pushing off at last into the waves by the light

of a wavering lantern.  He's so excited.

He can't wait for them to join him,

crowding his parlor with delight in their coffin-ships

to pull him out from shore.

 
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