poem15 Apr 2013 08:00 am

THE CAT AND THE TOAD

At the dawn of the world on a tree-sheltered road
an agreeable cat met a horrible toad.
When the cat saw its neighbor it fearfully shook
for in those days all creatures would act as they looked
and the toad was all warty, and bulging, and slimy.
The trembling cat mewed a terrified “Blimey!”
(more vigorous oaths had not yet been discovered)
and looked at the evil made plain on the other
one hideous sin for each hideous feature.
“Oh please do not kill me, most wicked of creatures!”
it begged without hope. But the toad thought awhile
then it gave what might almost have been called a smile
and it said “You may keep what you carry within
but if you are to live, you must give me your skin.”
Now the cat had no choice, though it bitterly cried
but to take off its fur and to put on the hide
of the venomous toad, and no creatures had made
such a villainous threat, such a terrible trade.
Then the cat hopped away where it once would have strode
for the toad was a cat, and the cat was a toad.

This explains why the toad, though so utterly charmless
is gentle in nature and totally harmless
while cats appear graceful and splendid and good
but would murder us all in our beds if they could.

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poem08 Apr 2013 08:00 am

The world on the backs of elephants 

standing room only on the Great Turtle, Akapara
praying she does not dive again
into eternity

but not the Brahmin
riding on the roof of the train car
smoking a cigarette and looking down
on the Ganges, the world-source
choked with sludge
and affluence.

We take the subcontinent and divide it still further
into plots of earth, looking for sustenance
the oil seeping from its wounds and our own
the Gupta regime with its gold trim upon the pyre
a suffragette, a Sati widow
Libertéégalité, fraternité
burning as the L40 boosters explode
from 
the Satish Dhawan Space Center, on Sriharikota Island
taking with it our mended limbs.  Our many-armed nation
bursting at the seams as it reaches upward
striving for equality in the cosmos
made hostile only
by the approach
from the west.

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poem10 Dec 2012 06:30 am

Temporal Velocity Theory
(Applied in Relative Poetical Mathematics)

All of accumulated time (including all of anticipated time),
expressed as an infinite line of points progressing through itself at
the speed of light,
is equal to a single point along the same line progressing at
the speed of thought.
THEREFORE
The speed of thought is equal to the entire distance time spans at
the speed of light.
OR
All of time, traversed at the speed of light, is equal to
the shortest span between two adjacent points of time traversed
at the speed of thought.
ULTIMATELY
At the speed of thought, the speed of light through time
appears to STOP.

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Weird31 Oct 2012 06:47 pm

Saute an chopped onion in some butter. To me, a soup recipe should always start with onion in butter, and then add something, anything, it doesn’t really matter. But for this soup, you’re going to add pork. I don’t know how much pork, as much as you have.  You would be hard pressed to add too much.  Cut the pork into cubes and brown it in the butter with the onion.  Then add water to cover, a teaspoon or two of salt, and bring to a boil.  Add a can or two of pumpkin.  No, I can’t be more specific, you have to see if the stew is thick enough. I suppose it’s better if you have some wonderful pumpkin left over from your carving, but pumpkins good for carving and pumpkins good for cooking don’t always overlap. Besides, one of the messages of Samhain is that life is short, and so we are going to use canned pumpkin.

Add maple syrup, pomegranate juice, and bourbon. If you know your ancestors’ brand of bourbon, get that. The bourbon adds a nice flavor to the stew, but I use it because my ancestors have always liked it and it brings them around. I used about a quarter cup of maple syrup and bourbon and a half cup of pomegranate juice but since I didn’t measure the pork I started off with, that probably doesn’t mean much to you. Use as much as you like.  Lower the heat and simmer for an hour or two or three, or until you’re ready to eat.  This stew can cook for days.  You will see the ancestors gathering around after a while, sniffing the air and gossiping. Just before serving, sprinkle a handful of pomegranate seeds in the bowl so they will still be crisp.

Serve with a side of starch, potatoes or bread or rice.  Serve your family, and make sure to leave a big bowl for the rest of your family, the ones who are gone that you usually don’t see.  Tell stories about them, and wait for them to break in to correct you.  Listen to what they have to tell you. Love them and remember them.

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poem22 Oct 2012 11:43 am
When the Goddess of Light
dropped the rod of glass
with which she controlled the sun,
it shattered into a million splinters
raining down from the brilliant sky,
each one remaining a magic rod in its own right.

When the splinters fell on the heads of women,
they became rod cells,
inserting their subtle vision into innocent eyes.
For the women,
only glimpses emerged
from the thick dark shadows of chance.
For their daughters, however,
the future bloomed with color and light
against which mortal motion
was mere shadowplay.

When the girl cracked her head
on the playground bench, no one thought anything of it
until she lost count of the healer’s fingers
flickering through infinite possibilities.

When the blood stopped
and the wound faded to a wasp-waisted scar,
the double vision remained.
She could see the past out of one eye
and the future out of the other,
intricately overlain.
She could see separate potentials out of each eye,
and hold them up to some ephemeral sun
to see the differences.
But she could not navigate between them,
nor tell anyone
how to get from here to there.

When the young woman went to the social
at her father’s stern command,
it didn’t take a seer to foretell disaster.
Yet the moment her slippered foot snagged in her moon-blue skirt
and sent her face pitching toward the parquet floor,
a hand appeared beneath her elbow
to save the day.

When the musicians called for a reel,
the young man led his stumbling date into the dance.
He felt the music through the floor,
for he could not hear it with his ears,
and he pulled their four feet into the perfect rhythm.

When the reels changed to a slow dance,
the young woman leaned her head on her date’s shoulder
and closed her eyes.  The future squeezed itself around her
with a strangely familiar grip, and she could
understand it better without the distraction of daylight.

When the young woman pulled away,
it was Time itself that counted the time for her dancing.
Her hips suddenly hung like a pendulum from the clock of fate
and her feet flew through the steps
with flawless grace.

When the young man saw her begin to move
to the beat of a different, hidden drum
he looked down and began to perceive
the decisions scattered like dust at her feet.
Then he remembered his lazy summer afternoons
spent studying the busy bees in their golden ballrooms,
dancing, dancing their way across the combs
as they told off the trip to the nectar fields.
He called out the future in his loud flat voice
and the sages chaperoning the social
hastened to take notes.

When the two were married,
it was no surprise to anyone who knew them,
for their eyes were filled with no one but each other
from the moment they met.
They made their fortune from telling fortunes
and the distant, shifting futures of the land they called home.
Together they made their way
safely through the lengthening days.

When the baby came,
the midwife fussed over her in the usual way,
and failed to notice that she was not a usual babe
as deft hands tucked her away in a dark quiet room.
The baby’s eyes glittered in reflections of invisible light
and her ears twitch, twitch, twitched in pursuit of silent sounds.

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poem15 Oct 2012 11:37 am

Instead of noisy static, we hear clear beats

grouped in patterns of seven and eleven.

Our entire team is galvanized; not even

the frequent napper holds back to see who gets

to break this code. At last this is the breech

in the chaos where we’ve plunged our heads

for years. If this is more than just a glitch

in our equipment, we’ll do as it bids.

 

We work around the clock like beings driven

by unseen forces. Take-out pizza boxes

fill up the lab. All effort goes toward solving

the encrypted message. The smell of pizza mixes

with smells of a gym locker room: not even

the need to run a clean, tight ship relaxes

the grip of this obsession. Where it leads

is up for grabs. In face of all the scads


of data, interpretation lags behind.

Prime numbers turn to other universals –

Planck’s constant, pi, the speed of light. The mind

of each researcher is party to rehearsals

that leap from a quantitative kind

of knowing through sensual feeling parcels

to mountains forests horses starlight art

and magical perceptions of the heart.

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poem08 Oct 2012 11:27 am

MERMAID

(villanelle)

 

She slips beyond the reach of man

in torpid heat he kneels to pray

bright-eyed, fevered upon the sand

 

He casts hook and line with firm hand

in frothing water day by day

she slips beyond the reach of man

 

He feels the curse as if a brand

the distant gods regard his face

bright-eyed, fevered upon the sand

 

Sleek siren heeds no human plan

from ships, or sailors’ longing gaze

she slips beyond the reach of man

 

Bright silver lures her near the strand

the man has hardened in his ways

bright-eyed, fevered upon the sand

 

The man must feed his hungry clan

pulls food not myth from raging waves

She slips beyond the reach of man

bright-eyed, fevered upon the sand

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poem10 Sep 2012 07:56 am
The red-tailed hawk
searches the air for thermals,
its pinions fingering the alien sky.
It shoulders its way past pink clouds
and soars in lazy spirals
above the thorny blue plain.

The scientists watch earnestly,
their eyes pressed to binoculars,
hands tapping at keyboards.

No motion of prey is visible
through the dense foliage.
A glint of water in the distance
beckons with the promise of fish.
The hawk banks toward it,
talons flexing.

The water explodes as a catapult fish
launches its jaws skyward,
trailing a long intestine.
Serrated teeth snap closed
and the catapult fish reels in its mouthful
of struggling prey.

The scientists sigh,
cross “hawk” off the long list,
and wish again that terraforming
was not so full of assumptions.

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poem03 Sep 2012 06:12 pm

Last night you invaded my dreams again.
Just how long do you expect to hang around?
But here you are,
A regular supernatural Jack-in-the box.
There was a time when the dead
Had the courtesy to stay so.

The first time I buried you was ten years ago.
Your constant presence was soothing.
I enjoyed your companionship,
But life with the dead quickly palls
Into a six foot rut.
I suggested you visited
A little less often.

That was fine for a while until your visits
Began to interfere with the daily task
Of living. A job I do very well.
So I put you back in the box
And turned the key; bringing you out
Once in a while to check that you were dead.
But you never were.

Those last times, I thought I’d really nailed you.
Exorcism: book of my words
And candle of our love;
Guttered of course.
But the reading of the words named you
And you it was
Who rang the bell.

It’s the sheer nerve of it though.
You bear no resemblance to the original.
Oh physically speaking, yes,
If that’s the word for it.
But you are too caring, too considerate,
Too full of love to have been you.
Perhaps that’s the problem.

So I am seizing this conundrum,
The you that was, the you that is, the you that isn’t,
And back in the box you all go,
Sealed down forever with original failings.
What a laugh if he could perform the last and final rites,
But over ten years we’ve misplaced the body
And, anyway, I look good in black.

J.S.Watts was born in London and now lives and writes in East Anglia. Her poetry, short stories and book reviews appear in a variety of publications in Britain, Canada, Australia and the States including Acumen, Brittle Star, Envoi, Orbis and The Journal and have been broadcast on BBC and Independent Radio. She is currently Poetry Reviews Editor for Open Wide Magazine. Her debut poetry collection, Cats and Other Myths, is published by Lapwing Publications. Further details are available at www.jswatts.co.uk

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the arts20 Aug 2012 06:10 am

Stories in Yarn

Creating art yarn is an abstract exercise, using only strokes of color in a thin strand (and the texture of those strands) to create something new, something a knitter can fall in love with. Yet, for me, color has the possibility to recall stories, personalities. As a lover of stories in general, this keeps me exploring the medium of this most basic of the fiber arts.

Bad Girl Maleficent

Bad Girl Maleficent

“Bad Girl Malificente”

I started spinning because all the kids were doing it. No, really–my homeschooling younger siblings and their peers were all learning how from a close friend. Not being a kid, it was a little embarrassing to be the last to pick it up. It would be more embarrassing to never learn, though. A lot of secret practice later, and I actually got a job at a tourism-focused sheep farm because of this skill.

It was there I got a chance to explore the dimension color could have in a yarn. One of the sheep breeds on the farm is Jacob Sheep, who are spotted and have a naturally two-tone fleece. Spinning up a roll of that wool, watching the balance of black and white shift to create texture was fascinating. Like dominos falling, was the thought that crossed my mind, or moonlight on cobweb by night. Not long after, I was given some beautiful dyed wool. I spun the soft blue up with gray and white natural wool I had, like clouds against sky. When I was finished, the colors were strongly reminiscent of Haku, in the film Spirited Away.

Memories of Haku

Memories of Haku

Memories of Haku

It was ridiculous—it was enthralling.

I’ve since realized that I associate things strongly by color palette, be it movies, places, or even the ones imagined from the descriptions in a book. When setting up my yarn shop, and checking out the competition, I found that I wasn’t the only one doing this. Not by a long shot–artisans crave inspiration.

 

Arabian Nights by Weird and Twisted:

Arabian Nights

Arabian Nights

Weird and Twisted Etsy store

 

Mei from the Totoro Tribute series by quovadishandspun

Mei

Mei

quovadishandspun Etsy Store

 

I’ve always been a fan of Impressionism, using broad streaks of color to invoke an image and mood, and treat my yarns as that sort of canvas. In the end, my work is not even a finished product. I just take colors, focused by stories I love, to makee material for yet another artisan to create with.

As my skill catches up with my ambition (never for long, but it does happen) I try to create skeins that use not only the multiple plies for dimension, but also the length, the texture. My Phoenix Spiral yarn is one of my best so far, and it followed a very specific narrative arc, each step from death, rebirth, maturity, back into fiery death and rebirth as the yarn would be knit up. The knitter’s finished object will have a narrative built into it.

Phoenix Sprial

Phoenix Spiral

Phoenix Spiral

I love working in an old art, with new inspiration. It’s exciting to be part of a revival of hand-made materials, and also a wave of geek-themed art, too. The best part, though, is being able to turn around after encountering a piece of art in another medium and celebrate it by drawing out its colors.

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