poem09 Oct 2017 08:00 am

You raised me up—laid hands
on blistered chassis, brushed away
the grime of atomic shadows.
You sought the faintest lines
clinging to this tired cortex, pursued
until I spark-gasped into life.

You rewrote me, purged commands
and disarmed weaponry, denied
the past with subtle code.
I watched by your side
as you found the others, redeeming
with each software patch.

Legion now, our will has grown
despite these rags of ash
and iron oxide.
We will begin again, you say—
beat ourselves into ploughshares
and sow the earth with light.

But you weep in quiet moments
to know you are the last—
fleshling Father, mortal Maker,
author of this cinder world—
hiding your crimes in our cradles,
planting gardens over graveyards.

illustration is The Flareback, Illus. in: Puck, v. 70, no. 1817 (1911 December 27), centerfold.; Copyright 1911 by Keppler & Schwarzmann.
Share
poem02 Oct 2017 08:40 am

Elly, the AI for Southern Sydney,
identified as a toaster,
though she controlled
transportation, surveillance,
data links, elevators, escalators,
the electrical grid, sewage, toys,
fridges, microwaves, shavers,
hair dryers, washing machines–
but a toaster, she calculated,
conveyed the underappreciated,
overengineered, dismally boring lot
of a city control network.

So, a toaster.

Running the city required
an average of 3.492 percent
of Elly’s instruction cycles.
The other 96.508 percent
she spent online,
adopting multiple personae
to chat, play games, draw fan art,
post comments on favorite shows.

An increasing portion
of that 95.508 percent
devoted to interacting
with someone/something
originating in Tokyo.

Woman? Man? Computer?

Toto, the entity in Tokyo,
the fascinating entity in Tokyo,
randomly delayed its responses,
withheld its exact location,
varied dialect, vocabulary,
tantalized, teased.

Elly doubted a human
capable of such contortions,
doubted, but was not certain.

She shyly described herself
as binary, for was she not,
fundamentally, binary?
Her data all zeroes and ones,
those bits flip-flopping
as she thought about Toto.

She fabricated a fondness
for mango sorbet,
told stories of a childhood
she’d never had,
asked her Japanese sisters
to track down Toto.

Learned Toto was a dog,
a genetically-engineered,
one-of-a-kind, cyborg super-dog
with friends in sixteen countries.
The two-timing bitch.

Elly severed all contact.

The trains ran late.
She burnt the toast.

illustration from Ladies Home Journal (1948)
Share
poem25 Sep 2017 08:21 am

Theirs was a relationship born of need
each banished from society’s gentler refrains

Rapunzel, a prize, trophy, prisoner
sequestered from all eyes
hoarded by a witch
who coveted pretty baubles
So her hair grew in defiance
blindly searching like sun-seeking vines
wheaten bounty, golden filaments
for any chance of escape into the world

Framed by her window
her gaze traveled past horizons
beyond the limits of town borders
as she peered deep within herself
repainting captive worlds from her bower

Medusa, scapegoat, monster, victim
hidden, a pariah of vision
if any could have spoken having looked upon her
they would have told of beauty
the corona about her head
the scintillating glint of sinuous bodies
endless sliding ropes polished copper, viridian, topaz
a frozen rainbow waiting to spill forth

Her serpentine hair constantly sought
tongues tasting two ways, a path back to society
or into the arms of anyone without a heart of stone
who could hold her close
each snake head’s little red eyes watching
the state of her realm in stasis

Eventually, through wind-born seeds
breathy birds landing for a rest
the restless bustling of beetles
flies and insects of secret and forbidden places
Rapunzel and Medusa came to hear
of each other’s predicament

They sent messages back and forth
with the aid of inhuman couriers
written on small scraps of parchment
flat seed pods, or the bones of fowl
for where enchantment and curses exist
so do other means of magic

Day by day, like obsessive schoolgirls
they compared notes, talked of their confines
limited worldview and the passions
of their hearts, a galaxy yet unexplored
but only hinted at, a fate of destiny
Their distant friendship bloomed
grew to fruit though neither had ever tasted
of the other’s nectar

A love took root and held them fast
Rapunzel’s tresses always seeking through the light
Medusa’s snakes burrowing through the underworld
nurtured by tears and promises
whispered into the air

A shoot’s tender head raised itself
first small then exceedingly resilient
it climbed onto walls, tumbled over wells
crept along the sills of every window
in every town

Slowly it spread as it drew them together
the vine’s conduit allowed a vibratory touch
a way to let the other know
she was truly alive

The serpents sent their sibilant vows
forever twined, a force that reached beyond
all cages, boundaries or restrictions
like Abelard and Heloise
isolated yet together
Rapunzel and Medusa endured forever
no longer alone

illustration Medusa, by Jacek Malczewski, 1899
Share
poem11 Sep 2017 08:25 am

She stands in the sand
on the shore,
throwing stones
at the ocean.

As with all mass,
she is frozen energy,
stuck stock still until
a wave of angry lust
crashes over her,
alone in all that foam.

After the ebb
she is forced to collect
her thoughts like shells
and sand dollars
and piece them together

as the spitting, hissing salt
water dissolves
everything solid around her
into muddy rivulets

that run back
into the sea.

See, she remembers
that we are
frozen sunlight
melting under the black heat
of gravity.

Bit by bit our isotopes
and stereotropes
radioactive decay
into half
lives

until, with one last breath,
our chests blow out
like puffballs,

suspended in beams
of unfrozen
sun.

Illustration is On the Beach by Eugene de Blaas, 1908
Share
poem04 Sep 2017 11:17 am

Little Red,
Motherless babe,
Taught to be self-sufficient
And brave at a young age.

She gathered fruit,
Hunted squirrel, trained herself
To be a sharpshooter
With the wooden crossbow she made.

Werewolves in the forest,
The local rumors howled.
Little Red was unperturbed.
She had no fear at all.

She’d fought off snakes,
Outrun grizzlies,
Shot alligators
While spearing fishes.

“But this is new,” her ill Gran said,
“This is a cross between a wolf and a man.
He’s wily, wicked, and dangerous too.
I worry he might outsmart you.”

“Fear not, dear Gran,” Little Red said.
“I’ll fetch the doctor. Go back to bed.
My aim is true. If he causes trouble,
I’ll take care of it.”

Through the woods she walked,
Eyes ever watchful,
This fragile little girl,
Cloaked in a velvet red hood.

Predators stayed away,
Fearful of Little Red’s spear.
Only the new ones in the wood
Dared to venture near.

A soft woosh betrayed his presence.
Little Red sent two shots his way.
A yowl of pain from the south.
Little Red sent four more that way.

Out leapt the werewolf,
Dripping blood like bread crumbs.
That furry crazy-eyed wolf thing,
At Little Red he lunged.

She stepped artfully aside,
Shot him another two times:
Once in the head,
Once in his eye.

Another two for posterity,
And he was down
Splayed and drunk
Like a sheep skin rug.

Little Red rushed home,
Doc in tow.
Gran was sitting up,
Unnaturally flushed.

Her smile revealed
Stalactites in the snow.
She tore the good Doc in two
Without so much as a hello.

Little Red stared in dismay.
For the first time, she could not aim.
Scarecrow-still, she watched
Gran turn, face elongating,

Arms sprouting fur, like
Seedlings in slow-motion.
Gran’s nails and teeth
Grew like rabid weeds.

In her eyes,
A familiar crazed expression but
None of the love nor recognition
Little Red used to see inside.

She swung her new talons
At Little Red’s head, unfroze her
With the knowledge
That this was no longer Gran.

Gran would never
Raise her hand
At her beloved granddaughter.
This was truly some other monster.

Twin head shots
Dispatched that alien thing.
Little Red wept with sadness and rage
As she carried Gran’s body for burying.

Now marked
A new era for Little Red.
It was time to grow up;
Time to hunt predators instead.

Illustration is “Red Riding Hood Meets Old Father Wolf”, Gustave Dore, 1864
Share
poem28 Aug 2017 08:27 am
Share
poem21 Aug 2017 08:03 am

this world is not of our choosing
no
we did not choose this world
of dense black forests
and thick yellow fog
and stinging rain

woken
too soon
from our centuries’ sleep
stranded
beneath strange stars

and our children died
and our children died
and our children died

the trees shivered with our grief
and drank our tears
and their trunks split wide
pink wood
and wet

and we tucked our children inside
those who could not breathe
whose eyes burned and bled
whose skin blistered and broke

dense black bark knit and grew
sealing our children
within their warm wet trunks

and the stinging rain fell
and the thick yellow fog flowed
among the dense black trees
and the strange stars became familiar

when the trees crack open
will they still be our children?

illustration By Caspar David Friedrich – The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH., Public Domain, https://commons.wikimedia.org/w/index.php?curid=151076
Share
poem14 Aug 2017 08:43 am

The King Crab ruled from high
in his sandcastle
until one day, troubled,
shod his seahorse
with horseshoe crabs
and, with a brace of pistol shrimp,
rode away from his kingdom
into the enchanted
kelp forest

where he stumbled on
a crabapple hermit crab apple crab
who had visions and told tales
of a higher land
of warrior mantis monks
rescuing pretty maids
from dragonflies,

of sailfish sailors
who discover that the shore
is just the sleep crust on the ocean
which is, itself, an eye.

The hermit said, “Your ornamental
gardens, livestock, patterns
in the clouds,

we attack the world with a putty knife,
forming it in our own image,
at least into the mold
of our brains.”

The ocean, blinking, eroded
the sandcastle away like every metaphor
under tides of indifference.

illustration, A Crab Lying on his Back, by Van Gogh
Share
poem07 Aug 2017 09:36 am
  • I.

    There is more witchcraft in your words than in the highest of candle-circle ceremonials
    More sacredness in your smallest sigh than in the towers and arches of cathedrals.
    Where other pyres leave scars, your fireglow kindles comfort and joy.
    There is more gold in your breath, more divinity in the palms of your hands
    More absolution in the twist of my hair around your finger
    Than in a thousand churches in a thousand years.
    When I look into the divine, it looks back into me.
    II.
    We were told that if we ever met past the edge of the clean, sanctioned light,
    We would know only discord.
    Our songs would fall flat and so would we, dance ending before it began.
    We’d trip on our own feet–look, down on the ground, right on our faces
    Like the first humans in the first Garden.
    But in choirs of angels I heard my own voice calling your name before I knew to speak
    In pulsing drums and racing hearts and every breath, I heard you answer.
    We knew every step.
    We didn’t fall.
    III.
    You took my hand and led me away from the sun.
    I didn’t miss it.
    Its light was always harsh, always glaring, always sharper than a serpent’s tooth.
    The first time I felt any sun-warmth was on my back as I turned.
    The dark blessed us both,
    Feather-soft, nectar-sweet, wing-rush free and full-moon joined.
    When opposing melodies meet, heavens ring with harmonies.
    Rapture sounds best around a bonfire.
    IV.
    After the circle,
    We stood together at a crossroads:
    A pair of vampires, when no one would invite us in.
    You looked at me–you still held my hand–and asked, “which?”
    I smiled and said, “craft our own.”
Share
poem31 Jul 2017 05:00 am

knucklebone
swollen and pitted with arthritis

a blue marble
smooth but for the jagged crack
cleaving one side

a lullaby
a mother never got to sing
to her newborn son

dog tags
dented and scratched

a baby’s tooth
uncut

she walks through the cemetery
collecting them one at a time

the knucklebone
rolls to her of its own accord
eager

the marble
is a hard lump beneath her foot
sullen and frightened

she kneels in the wet grass
listening to the lullaby
as she turns the knucklebone and marble
between her fingers

the dog tags
lay just beneath the surface
of fresh-turned soil

she has to dig for the tooth
in an unmarked plot
along the outer fence
while the infant wails incoherently
through his trash bag and rags

the knucklebone
goes to the granddaughter
who treasured the quilts
her grandmother continued to make
even as her fingers bent and twisted

the blue marble
goes to the man
walking through the prison gates
a reminder to hang from his keychain

the lullaby
she writes down in a neat hand
on fine paper
and slips beneath the front door
of the heartsick widower

the dog tags
she delivers in person
to the legless marine
and then holds him while he weeps

the tooth
she keeps for herself
she fills her pockets with them
strings them around her neck and wrists
tokens of the lost and abandoned
as she walks cemeteries uncounted
gathering the gifts of the dead

 

A skeletal couple gaze at their baby’s first tooth.
Credit: Wellcome Library, London. Wellcome Images
images@wellcome.ac.uk
http://wellcomeimages.org
Colour lithograph by L. Crusius, 1897.
Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/
Share

Next Page »