poem03 Sep 2012 06:12 pm

Last night you invaded my dreams again.
Just how long do you expect to hang around?
But here you are,
A regular supernatural Jack-in-the box.
There was a time when the dead
Had the courtesy to stay so.

The first time I buried you was ten years ago.
Your constant presence was soothing.
I enjoyed your companionship,
But life with the dead quickly palls
Into a six foot rut.
I suggested you visited
A little less often.

That was fine for a while until your visits
Began to interfere with the daily task
Of living. A job I do very well.
So I put you back in the box
And turned the key; bringing you out
Once in a while to check that you were dead.
But you never were.

Those last times, I thought I’d really nailed you.
Exorcism: book of my words
And candle of our love;
Guttered of course.
But the reading of the words named you
And you it was
Who rang the bell.

It’s the sheer nerve of it though.
You bear no resemblance to the original.
Oh physically speaking, yes,
If that’s the word for it.
But you are too caring, too considerate,
Too full of love to have been you.
Perhaps that’s the problem.

So I am seizing this conundrum,
The you that was, the you that is, the you that isn’t,
And back in the box you all go,
Sealed down forever with original failings.
What a laugh if he could perform the last and final rites,
But over ten years we’ve misplaced the body
And, anyway, I look good in black.

J.S.Watts was born in London and now lives and writes in East Anglia. Her poetry, short stories and book reviews appear in a variety of publications in Britain, Canada, Australia and the States including Acumen, Brittle Star, Envoi, Orbis and The Journal and have been broadcast on BBC and Independent Radio. She is currently Poetry Reviews Editor for Open Wide Magazine. Her debut poetry collection, Cats and Other Myths, is published by Lapwing Publications. Further details are available at www.jswatts.co.uk

the arts20 Aug 2012 06:10 am

Stories in Yarn

Creating art yarn is an abstract exercise, using only strokes of color in a thin strand (and the texture of those strands) to create something new, something a knitter can fall in love with. Yet, for me, color has the possibility to recall stories, personalities. As a lover of stories in general, this keeps me exploring the medium of this most basic of the fiber arts.

Bad Girl Maleficent

Bad Girl Maleficent

“Bad Girl Malificente”

I started spinning because all the kids were doing it. No, really–my homeschooling younger siblings and their peers were all learning how from a close friend. Not being a kid, it was a little embarrassing to be the last to pick it up. It would be more embarrassing to never learn, though. A lot of secret practice later, and I actually got a job at a tourism-focused sheep farm because of this skill.

It was there I got a chance to explore the dimension color could have in a yarn. One of the sheep breeds on the farm is Jacob Sheep, who are spotted and have a naturally two-tone fleece. Spinning up a roll of that wool, watching the balance of black and white shift to create texture was fascinating. Like dominos falling, was the thought that crossed my mind, or moonlight on cobweb by night. Not long after, I was given some beautiful dyed wool. I spun the soft blue up with gray and white natural wool I had, like clouds against sky. When I was finished, the colors were strongly reminiscent of Haku, in the film Spirited Away.

Memories of Haku

Memories of Haku

Memories of Haku

It was ridiculous—it was enthralling.

I’ve since realized that I associate things strongly by color palette, be it movies, places, or even the ones imagined from the descriptions in a book. When setting up my yarn shop, and checking out the competition, I found that I wasn’t the only one doing this. Not by a long shot–artisans crave inspiration.

 

Arabian Nights by Weird and Twisted:

Arabian Nights

Arabian Nights

Weird and Twisted Etsy store

 

Mei from the Totoro Tribute series by quovadishandspun

Mei

Mei

quovadishandspun Etsy Store

 

I’ve always been a fan of Impressionism, using broad streaks of color to invoke an image and mood, and treat my yarns as that sort of canvas. In the end, my work is not even a finished product. I just take colors, focused by stories I love, to makee material for yet another artisan to create with.

As my skill catches up with my ambition (never for long, but it does happen) I try to create skeins that use not only the multiple plies for dimension, but also the length, the texture. My Phoenix Spiral yarn is one of my best so far, and it followed a very specific narrative arc, each step from death, rebirth, maturity, back into fiery death and rebirth as the yarn would be knit up. The knitter’s finished object will have a narrative built into it.

Phoenix Sprial

Phoenix Spiral

Phoenix Spiral

I love working in an old art, with new inspiration. It’s exciting to be part of a revival of hand-made materials, and also a wave of geek-themed art, too. The best part, though, is being able to turn around after encountering a piece of art in another medium and celebrate it by drawing out its colors.

poem13 Aug 2012 06:18 pm

She was an apple thief
a thief of summer’s fruit
it was just natural to poison what she fed on
after all, who
would pity the rat that ate of poisoned bait?

And she was quite another sort of vermin
her seven tails dug seven trails
behind her, no matter where she went
and the voice was infinitely fairer
than the evil maw it came from

in the snowy woods of ebony
her blood-red lips lay hidden
and her lair was a grave of apple cores
that’s where she had taken the fruit
of poison, the two-faced apple

it is also where she lay asleep in ice
as if it were a bed of crystal glass
who would have thought that all this apple bite
could leave her merely sleeping?
The prince saw her sleep in this deep

deep forest and to her lips
he lost his mind
he kissed her and kissed the poison from her lips,
drank it from her throat and collected
the stray drops of venom from her teeth

Gone mad from kissing poison
it is no wonder
that he had people dance themselves to ashes
in fire shoes of glowing iron
–how his eyes gleamed when they danced!

It is no wonder also
that he would keep her apple sweet breath
beneath his tongue, his pillow
and in the fabric of his sheets and that his
shrouds were made of apple peels
that the beast had woven tightly, like a noose

poem06 Aug 2012 07:09 am

I may be just a metal woman,
rust for brains,
but hot lubricant courses through these tubes.
I want more than a battery powered thrust
between my legs.
I am looking for love
a man to ignite my jets,
but no one with an ounce of fresh gristle
wants to be held in my solid grasp
They run as if rocket powered.

I thought I’d build me a man,
all pistons and genuine aluminum six pack.
I collected the parts,
drew up the schematics,
but though everything functioned,
went down and up as needful,
I could never find the place
to install real lasting love.
It wasn’t long before he left me
for a vending machine.

I think I might try again, someday,
to build me a metal mate,
a man with big pistons and a sense of fun,
but first I need to work out
where you put the love
and how you keep it there
so it doesn’t fall out
or corrode or snap,
unless you want it to,
after one vend too many.

This poem will be published as part of “Songs of Steelyard Sue” (ISBN 9781909252028) by Lapwing Publications later in the summer.

poem30 Jul 2012 06:02 pm

Sad really,
watching the way
this world works,
when I’m from another planet
altogether.

These “humans”
don’t have the humanity
I carry
in the locket
around
my neck.

Heartbreaking,
mad-hatting
broken fingered
degenerate dope-fiending
bottom feeders.

The lot of them.

All my alien friends think so;
“dirty”
is the word used most often,
not always meaning dirt.

Still,
the nachos here are good,
and the oceans are a lovely
shade of green,
or is it blue?

It would just be nicer
without all these “people”
around.

poem23 Jul 2012 05:52 pm
The crow is my own. He tilts his head toward my whispering
I whisper, why? Not for shame that others might hear
but so the other crows should not
for a woman can only be master to one crow at a time.
He claws his way along the branch
one scaly scrape at a time and clucks deep in his throat
like sand over gravel, the words a tale of a long road.
Others, far off in the corn field, taunting
raucous cries blackened eyes onyx lies–
I know them for what they are
and so does he. A twist of his head
he swings his black beak toward me
a hook, a foil, a condemnation
I nod, relishing the pain.
Master to one and hunted by all
I press my palm against the window screen
soon, nothing will separate us.
Tonight, we’ll dine in hell and sweep the field clean.
The heavy steps in the hall fix my breath in my throat
no need to turn around, to see what’s there.
On a breath I whisper away my secret pieces
he, the vessel of my escape
My crow leaps in a sudden sweep of wing and sails away,
the scent of his feathers a balm to a soon-broken soul.

reflected in his shiny gaze
I, the lark within my cage
his raucous cries
the fledgling dies
a murder of crows, a sea of rage

poem16 Jul 2012 05:30 pm

Softly
or else, he wakes
and crushes you with his giant’s hands
and licks the pulp you’ll then become
from his dirty palms

He has not always been like this
not always so tall, so big
so gigantic
or so savage

once upon a time
he was like you
all daggers and sword
and a hero’s tongue
blazing like the sun

but no more.
His hero’s shadow lies dead
buried under a stone
and this vile-breathed giant
is all that remains

Softly now
or else he wakes…
up the looming cave into the darkness!
your sword is drawn already, good;
always straight for the heart
as you have done so many times before

there was no doubt that you would win against
this shadowless monster
was there, Hero?
and when you leave with one more slaying to your name
don’t forget to take your shadow with you,
Hero, giant among men…

poem09 Jul 2012 05:27 pm
It was quiet in Golem Town.
Clay feet treading along the
soundless, circular, mud pathways,
plodding patiently towards the end of the days.
Faces stretched tight into happy grimaces,
Each night, re-writing the words of their
lives along the hum of the static-fresh TV.
Quiet in Golem Town, until the fancy girl
came with her pinching fingers grabbing
scripts from gawping, gaping mouths.
Lightening in her brain instead of simple silt.
Smiling, rewriting their rhythmic respectable rules.
See the clay men fighting,
slow fists, brother against brother,
for the honour of rubbing their mud hands
against her white dress.
See their black glass eyes, smashed. 
Gems make a pretty necklace for a fancy girl
with dirty wings.
Uncategorized22 Apr 2012 06:09 am

Some happy news and some sad news…

I was thrilled to see this news: “A Good Catch” by Colleen Anderson in Polu Texni, was nominated for an Aurora award. Congratulations Colleen! It made my day to see Polu Texni’s name on Locus.

Canadians can register to vote for Colleen or other favorites.

The sad news is that K. D. Wentworth passed away this week.  I published her story “The Turquoise Horse” in my first editing venture, Vision Quests, Science Fiction and Fantasy Tales of Shamanism, by Angelus Press.  She was a very easy person to work with, very professional, and I enjoyed her work.

poem27 Mar 2012 04:59 am

Image by Stephen Lippay

Wounded,

I sink into your flowerbed,

succumb to enchanted sleep.

Purple ropes lash all four legs

to the worm-rich ground

and lavender stink invades my dreams.

Grackles laugh. My tail twitches at the sound.

Waking,

I wince at cold needles,

damn the rain that dissolves

my auburn fur and vulpine claws.

Mind and message melting,

I now resolve: these dregs shall poison

your salvia, fell your foxgloves bright and tall.

 

Lisa Bradley has sold poetry  to GUD, Strange Horizons, and Bull Spec.  You can find more of Stephen Lippay’s photography at  http://ajourneyinimagery.blogspot.com/, or at http://www.flickr.com/photos/slippay/collections/.

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